Aston Martin db5 an iconic car in the James Bond movies
The chance to drive an Aston Martin db5
painted silver birch and with the number
plate BMT 206 a something that any James
Bond fan would leap at the question is
just how far should you go too much Dean
is too much is this even straight
alright this the 60s kind of bit bit spy
team milk try isn't it how about skiing
bond Alpine bond did Roger Moore maybe
yeah no well then I'm not doing Daniel
Craig coming out of the sea nobody needs
to see that in the end it seemed best
just to stick with my own jumper best
not to try to be James Bond.
It's a misogynist alcoholic womanizer of
a secret spy with really pretty
unresolved violence issues I'm not like
that now if you know your bond
literature then you'll be aware that in
the book
Goldfinger double-oh-seven actually uses
a DB mark 3 or a DB 3 as Fleming called
it but then when they came to make the
film of it
they simply picked the latest Aston
Martin which at the time was this DV 5
the db5 was produced between 1963 and
1965 and was styled by turing it is
powered by a four liter all aluminium
straight-6 putting out around 200 and
each brake horsepower through a live
rear axle it weighs about 1500 kilos and
feels very luxurious.
Inside really with
full leather and electric windows
ejector seats sadly were not regular
fitment it's the first time I've
actually I think ever driven a DV 5 and
it is wonderful that's great sense. View out over the bonnet the big wheel
these dials the Smiths dials it's a
proper dream come true what a glorious
thing this is our you have to be the God
how on earth he ever did some of those
car chases which seems like there's no
idea
and to think just how rare this car is
except there's another one over there
yes it appears that there is more than
one db5 at Silverstone at least one has
some damage one has guns and a couple
are being driven a little bit harder
than you would normally expect for DB
fives.
This is mark Higgins rally driver and
for the past few years stunt driver in
other words he is one of the men that
makes double-oh-seven look handy behind
the wheel and after our passenger ride
with him in one of the actual stunt cars
used in the filming of no time to die we
sat down with him to find out which is
Mike on set
well thank you very much chatting to us
about this it must be an absolute dream
job in many ways I mean getting to play
James Bond in in a db5 yeah it is I mean
like my first actual film ever was a
bomb fell believe it or not so we
started at the top and we started off as
a body back on quantum I drove a
defender I think on Skyfall and then I
progressed to the DB 10 inspector and
now no time to die with the DB 5 which
is yeah it's pretty cool.
Yeah any of those cars over the years
that have been particular favorites kind
of stood out they all because obviously
we'll get onto the car that we've got
here today yeah in a bit but underneath
there they all quite similar yeah no not
really I mean I think the two Astin's
really the DB 10 was a one-off build so
that was very special but the the new DB
5 and the fact that we built a specific
stunt car for it was great in it
I think of all the cars it's the iconic
Bond car isn't it so growing up as a kid
to see that car and then drive it with a
bit more power and a bit less weight and
be able to drift it around was pretty
good yeah so just describe to us what
that well that car is well what we come
up with because I think I think more for
repeatability and being able to use a
car and in quite tricky environments
they built a specific car in a very
short period of time it was a one-off
build a lot of frame chassis.
We had
approximately 300 horsepower engine with
a thousand kilos so that's a perfect
recipe for a rear-wheel drive car
carbon fibre body and he looks identical
but just drives a real little gem
absolutely and what's it like being
what's it like being on set I mean
you're there for a long time I mean the
nice thing with bond is it's become very
much a family now as I say it's my
fourth film it's the same people we use
all the time everybody's really relaxed
and chilled
there's a lot of people so you've
probably got 200 people around one
little scene with all the different
departments so there's you know I've
come from a motorsport background.
Where
you create your own pressure there's
different pressures with filming you
definitely don't to make it freely
yourself or get it wrong especially when
you're driving cars of a million pound
plus so marieve airy different but
you're just a very small part of a
massive team really and there's no one
thing that's more important than
anything else
the only problem is it might if I get it
wrong it to show up a lot more than
other people say mistakes and what I
mean in terms of you presumably involved
and the build-up to a scene in terms of
saying what what you're happy happy or
what sort of what you think it's
possible and things like that with the
car I mean we work.
We all work very
closely together so the stunt
coordinator ultimately discusses what's
the scene is gonna be so that they'll
come up the idea the stunt coordinator
works out what can and can't be done
they then liaised with the build of the
car and then we test it fine-tune it if
we have issues that we don't think are
going to work or can't be done at the
time will then work around it really the
best we can and make it happen but this
time coordinated we worked the guy
Woodley Morrison on this one he's a very
very good driver and sort of fantastic
bike rider as well.
So his knowledge is
very good of Motor Vehicles and we just
work as a big team and it is very much
as I know I keep saying it it's very
much a team effort yeah yeah and and do
you get to meet the stars at all have
you met Daniel Craig yeah I've work with
Daniel on all for now so we do a bit of
driving work together he drives when he
can and he's been really great on this
film and again you just build
relationships as you go on so I think he
trusts me to do the cast of for him and
I let him do the acting particular
tractive mode so do you have to wear a
mask or something like that to tone it
down yeah yeah I'm doing that bit coming
out of the sea you know I've let him do
more of that now has there been any any
particular moments any locations and he
sort of any stunts that we might have
seen in the films that you've been
particularly sort of happy with sort of
when you've seen their final product yes
that's yeah a lot of the stunts
very hard because what I'm actually
doing.
What I'm seeing from the
driving point the camera may be looking
at something totally separate so when we
get to the film it's as much as it's a
surprise for us sometimes I mean I
remember back on quantum that was gonna
be a massive car chase 15 minutes and
then it was all cut very very it was a
fantastic chase yeah cuz it went down
into the quarry yeah all through the
quarry and we started on the bottom by
the by the lake and came up and I in my
head
knew exactly how that chase is going to
come out and film and then it's very
very different and I now dude look at
films in a different way because I'm
looking how it's all be made but know
this that we had some coast road parts
but we don't even know what's gonna be
used.
So it's hard for me to say you know
after wait till the film comes down yeah
absolutely and and is there anything
from from a driving point of view as
well sort of that you because obviously
gets to get to drive a car what sunny
looks like I'm not something it might be
Pinewood but some of it presumably is on
location very much yeah times when
you've just thought wow you know I'm
going to drive a car through this
particular City kind of might be Rome or
whatever city it must be pretty cool
well I mean I think just drifting it
about 80 90 miles an hour sideways past
the Vatican that was pretty special you
definitely do have to pinch yourself for
the locations you get to there was a few
places we had the db5 that we had to
wait for the Sun to go down.
You got the
helicopter up there shooting you and
it's just you do actually feel a little
bit bond you know there is that I keep
singing that song has a little ending
but yeah it's as I say growing up as a
kid James Bond Aston Martin's
yeah it's pretty special now I wasn't
going to let mark have all the fun so I
went and found a couple of the stunt
cars one with damage and one without
strap myself in headed out onto the
Stowe circuit to see what they're like. This car
is that
like that
city's famous for that it's already
to drive erratically go to the rg2 there
is American staff exactly
and weighs about a thousand kilos 300
goes power whoa right to the rim.
A little bit a bear and I'm not
surprised
you're still very much
a lot of engine rankings and orders that
cost lifeguard
are there actually
the nice part of the corner it
discover that's me lady
sorry
one side like sacrilege
absolutely
it's amazing actually
an original db5 and the mother car this
is
what a thing
James Bond is very lucky no mark against
enemy belief. If you'd like to hear an extended
version of that interview with Mark
Higgins
then we talked about all sorts of other
things and you can find it on the car
fiction podcast which is otherwise known
as for the love of cars and it's
available in all the usual podcast
places to our check it out
the names Catchpole henry Catchpole.
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